Showing posts with label anime. Show all posts
Showing posts with label anime. Show all posts

Thursday, November 6, 2014

Spice And Wolf (Anime Review)

Disclaimer: I am not a fan of romance anime. I realize that it's only fair to call this one ~50% romance, but it is a main focus none-the-less. My reasoning for why is discussed and explored in this review. Don't worry, though, as even with my bias against its genre, I still heartily enjoyed it and give it my recommendation. Read on to see why!

Spice and wolf is a series about a traveling merchant, a human persona of a pagan wolf deity, and economics. Does that very odd combination intrigue you? Well, it should because Spice and Wolf certainly comes out as a unique gestalt that cannot be explained away by its seemingly unrelated individual pieces. The anime is based on an original series of light novels. There is also a manga adaptation that is still ongoing, but I believe they are separate adaptations. The light novel series is now completed in Japan, and the anime covers four of the first five volumes. The manga has not even finished going through the material covered in the anime, and I am unsure if they are planning on doing the entire story, or if they will stop at the same point as the anime. This is not the type of show that I would normally watch--mainly because I tend to avoid anime romances, and that does end up being one of the driving themes of Spice and Wolf. With that in mind, I hope that my perspective as a fan of anime, but not of anime romances can give a fresh take on this series. And don't worry, even I had to ultimately admit that it's very good. How about we continue on to explore why?

Animation / Visuals:
Spice and Wolf was brought to us by studio Imagin. The only series I have seen from their portfolio have them credited for the 'in-between animation'. I'm not entirely sure what that distinction means, but it did leave me with no pre-conceived notions going in. I was very happy with the animation quality. There are no jarring scenes where detail forsaken in an attempt to save money, and the picture quality on the blu-ray release is of a very high calipur. The series was released in '08, though, so its impressive visual fidelity is to be expected.

The real star of the visual department is definitely the designs. The style of the characters and the world at large are an absolute delight. The series takes place during the medieval time period in a country very similar to Europe, so there are fortress towns, ornate churches, and little country villages all being expertly brought to life. The characters and their clothing also do justice to the setting. I realize that I am in no way an expert on this period of history, but it all looks close enough and has enough synergy to feel genuine, which I think is very important. I can say that the visual design is objectively very good, but I also need to point out that I really liked it on a personal, subjective level; it simply worked for me.

Audio:
Let's just plop it right out in the open; the soundtrack for Spice and Wolf is absolutely fantastic. It is, in fact, my favorite aspect of the series. The openings are sufficiently emotive--with the first being the clear winner--the first ending is a ridiculous slice of Engrish--but is just too cute to not like--and the in-episode soundtrack is phenomenal. The soundtrack is very heavy on what we would nowadays view as folk music. There are several flute type instruments, violins, etc. It ends up being epic and exciting when it needs to be, and it can also be incredibly playful and quirky during less intense moments. I would gladly listen to many of these songs outside of the show, and I am planning on acquiring the soundtrack. The playful tone fits so incredibly well with many of the quaint towns and situations that we end up seeing throughout the series. This is definitely a case of the soundtrack not only complementing the series, but almost outshining it.

Plot:
Spice and Wolf has an odd, yet surprisingly simple premise. A travelling merchant--Kraft Lawrence, the main character--stops off in a little town that he visits from time to time to do business. While he is there, he ends up meeting their wise wolf deity, Holo, in her human personification. She explains that he is her ticket out of there because she is bound to wheat, and he happens to have some in his cart. She asks him to help her get back to her home in the north, and she promises to pull her weight on the trip there. That's honestly the entire premise. It's really quite shocking that something so innocuous--yet still rather fantastical--can turn into what Spice and Wolf turns into.

As they travel ever northward, Lawrence gets himself involved in many a scheme to make money. In some cases he comes out on top, other times he is taken complete advantage of, and things even deteriorate to the point of their lives being in danger multiple times. Given that the main driving point for all of the plot points are simply business deals, it's really quite impressive that they manage to be as interesting and diverse as they are. The one downside to this business focus is that it is very, very easy to lose track of what's going on and get lost in the jargon. They do a good enough job of explaining things, but many episodes require very astute viewing in order to not get lost. The anime covers four of the light novels, with each one representing one arc. Each of these arcs covers one specific business situation.

One of my favorite things about Spice and Wolf is actually the setting. It is set during medieval times--in what appears to be some fictional Europe. Due to this, the technology, ways of travel, food, etc are all completely steeped in the time period. On top of this, there is a certain degree of 'fantasy' that is just an accepted part of the world. Holo isn't the only human personification of a pagan deity that they meet, and there are also giant, intelligent creatures just roaming around the world. This all makes for a very interesting world to explore and learn more about with each episode.

The other aspect of the time period that I really enjoyed was the presence and influence of the church. Now, they make several remarks to the one true 'God', there is discussion of cardinals, bishops, and nuns, and we all know that the Christian church was spreading--and becoming rather oppressive--in Europe during this time period. It is absolutely no secret that the church is actually the Christian church, but it is never named as such--which could be seen as a lack of boldness, but I view it more as a degree of finesse. They have several run-ins with the church that really hammers home how corrupt they have become with their increasing influence. There is even the worry of them discovering Holo because they would likely kill her for being possessed by the devil. It's realistic elements and factors like these that help to make the world of Spice and Wolf so dynamic and engaging.

Now, the business might be the backbone of what is going on, but it really does take a back seat to the romance--especially for the latter half of the series. Holo and Lawrence quickly start being flirty and goofy with each other, and it becomes apparent within very little time that this series is going to have a strong romance focus. I take slight issue with this because I really do not like how anime tends to portray romance. The situation is always a perfect setup that both characters will fall into. At least one of them will be hesitant and very flippant in response to the overt flirting and signs of affection coming from the other one. Every little touch or moment is a big deal and leads to blushing and acting silly. And the couple to be will also always exhibit child-like levels of innocence when it comes to dealing with the opposite sex--or at least one them has to. I mean, I could go on and on, and Spice and Wolf has every bloody trope that I just listed. It always comes off feeling heavy handed, unrealistic, and non-genuine. I feel like the story teller--author, writer, etc--is just beating me over the head with what they are trying to show me and make me feel.

These tropes are not realistic. That's not how people actually act. Now, I realize that not every series and medium needs to be focused on absolute realism--that would be awful, really. But when it comes to something like romance--such a genuinely real human feeling and experience--it can be a bit jarring when it's so far removed from reality. It leads to two things. On the one hand, it leads to a sweet, innocent, and incredibly fun little love story that really couldn't exist in any other medium. On the other hand, though, it also romanticizes incredibly unrealistic relationships as some kind of ideal situation--one that just doesn't exist. With films and live action TV shows--for lack of a better term--the idealized romances are usually unrealistic, but they are still bordering on the outskirts of reality. There will be some overly convenient things that happen, and the guy might get the girl even when he really shouldn't, but the human reactions, the interpersonal communication between the 'couple' is still fully believable. With anime, and certainly with this series, it just simply isn't--for the most part.

And all of this leaves me feeling odd now that I've experienced Spice and Wolf. I am someone that enjoys stories by fully immersing myself in them. If they were an ocean, I'd be drowning in the deepest depths. I think that's why I have always been so incredibly enamored with fictional stories. It's not just a drawing on a screen, a 3d model on a monitor, or a name on a page. Every story that I get involved in I treat as if it was its own absolute reality. So when all is said and done, I need to resolve the experience in my mind--which is to say within that 'real' fictional world. That becomes incredibly difficult for me to do with something like this because of the subject matter. When romance takes the side seat in some kind of action or drama, and is a supplemental plot point, its short comings are easy to overlook because of the circumstances. There is something else going on that is the focus, we accept that the romance is progressing in an unnatural manner, and the extenuating circumstances allow for a lot of lee-way. The romance is front and center here, though, so no such excuse can be made. In fact, for the third and fourth arcs, it is almost the business that has become the supplemental plot.

It is what it is, and it must simply be taken with a grain of salt and put into the appropriate mental box. I want to be clear that I am not trying to be down on the show; this is an issue I have with the medium's representation of this topic as a whole. It managed to tell a very cute love story that I found myself grinning like an idiot while watching on several occasions. I am merely pointing out that it is so far removed from reality, that it cannot be resolved with our real life understanding of these themes and ideas.

Characters:
The bread and butter of Spice and Wolf really are the characters. The show is carried by the main two: Lawrence and Holo. Lawrence is portrayed as incredibly intelligent, very innocent and pure hearted, and also very well spoken. It is shown time and again that he is not only a very talented merchant, but that he has a surprising amount of grace, and a dangerous amount of kindness. I like Lawrence, and I enjoyed watching him interact with Holo and the other characters that they come across in their travels. I really feel that he only works as well as he does, though, because he is a proper partner for Holo, who really ends up stealing the show.

And then we have Holo, the star of the show. Holo is, if I'm not mistaken, about seven hundred years old. With that in mind, she is actually extremely wise--she even calls herself Holo the wise wolf. She is, however, also out of touch with many aspects of human culture and relationships. This puts her in an interesting position of being far, far more knowledgeable than Lawrence, but also being incredibly naive in other ways. She is devious, haughty, jealous, melodramatic, and conniving. Her rather stuffy way of talking--proper English and such--does a very good job of reinforcing her antiquity, while also making her seem 'different', which is exactly how she needed to be portrayed. It's not all light hearted jests and jabs, though. As the series continues--and as her relationship with Lawrence builds--we come to find out that she still has fears and that she has been grappling with terrible loneliness. I will say this, for as hard as I was on Spice and Wolf's portrayal of romance, there are definitely some moments when Holo opens up that are incredibly genuine and emotive. Her desire to no longer be alone, her fear of getting close to Lawrence because of his mortality, her fear of hindering his chances of opening his own shop, etc. The overall romance may be heavy handed and rather ham fisted, but Holo's development is usually a genuine high point. She manages to be wise and snide, yet vulnerable and sweet at the same time. She is a very complex character, and easily one of the best female leads to ever appear in anime--based on what I have seen thus far.

Other than the main two, there aren't many characters that get a lot of screen time. The normal way of doing things is to introduce a small cast for each new arc. They get some development, serve their purpose, and then it's on to the next arc. Given these character's relatively short screen time--only up to about five or six episodes at the most--many of them actually get a very admirable amount of development. While the supporting cast may be a rotating door, each new set of them are given sufficient attention to be worthwhile. I really appreciated this about Spice and Wolf.

Conclusion:
Well, how do I conclude such a seemingly-contradictory review? I spent near equal amounts of time praising the story as I did tearing it down on the basis of being an anime love story. So for my final word, let's ignore that it's one of those--as well as the inherent short comings that are attached. Spice and Wolf is an audio and visual treat. It has an interesting story with enjoyable and memorable characters. There are several funny moments, tense and dramatic scenes, and cute parts that will make you smile like a goon. I may take issue with this portrayal of a love story from the ground up, but I cannot ignore how well this one was done within those limitations--especially given that everything but the 'romance' part is outright fantastic. If you get invested in the story, be ready for a 'read the novels' ending. I went ahead and looked up how they end--there are still a few that are yet to be translated, so all I could do was skim forums. I was quite satisfied with the ending, and I think I'm going to leave it at that. I'm not sure that I need to read the rest of the journey. I really enjoyed what I watched, I got the closure of the true ending, and I think I'm ready to close the book on this experience. And let me be absolutely clear, this is an experience that I'm glad I had, and I would fully recommend to anyone who enjoys anime.


Sunday, October 19, 2014

Shiki Review (Anime Review)

Do you ever get done watching a show, sit back, and just think to yourself: "Ah, this is why I enjoy this medium." Well, I do--on rare and wonderful occasions--and Shiki just so happens to be one of the series that made me do this. Shiki is an adaptation of a manga, which is in turn an adaptation of a novel. It is a show about vampires moving into a small, isolated town in Japan and all of the 'wonderful' effects of their presence. I am going to start this review off talking about the overall qualities of the show--music, animation, design, etc--and I will then move into spoiler heavy details about the plot and characters. I don't want to ruin the plot for anyone that hasn't watched it, so I encourage you to not read the plot discussion if you have not yet seen Shiki.

Animation / Visuals:

Shiki is a rather new series--its original run was back in '10--so the animation quality is, as you may expect, quite high. It was produced by studio Daume, whom I am not at all familiar with, but they seem to do very high quality work. I watched this series on Blu-ray--as I do for all series that have a release in that format--and I was immediately impressed with the sharpness of the picture and the vibrancy of the colors. If you are someone that enjoys crisp, vibrant, 'new' looking anime, then the visual fidelity will immediately delight you. I can also say that the animation quality was very consistent. I have seen several series where the quality can have large fluctuations from scene to scene. That is really not the case with Shiki; it is consistent and of very high quality throughout.

A sharp and vibrant picture is always a good thing, but the character designs need to be worth seeing in all that beautiful glory. Thankfully, Shiki has a great visual style for all of the characters. They all have a rather 'lanky' look to them, and there are many completely quirky and unique characters to grow fond of. Shiki also pulls no punches when it comes to odd anime hair. You will see many a crazy hair style and colors ranging from purple, pink, green, and so on. I really quite liked that many of the characters looked so radically different from each other, as it helped give them personality, and it also made them easier to remember.

Audio:

On the audio side of things, Shiki still comes out strong. The show has two different openings and two different endings--changing half way through. I was not overly fond of either ending, but it's very common for me to skip those, anyway. The openings, on the other hand, were very striking. I became particularly enamored with the first opening. The show doesn't actually start out with the opening--which I quite like. Instead, you get a small clip to start the episode off, and it will then freeze frame--often after something dramatic has happened or been said--and the opening will start with the last scene still frozen in the background. The first opening is not only catchy, but it just 'fits' the show very well. I especially like the vocal performance in it. I am a person that listens to metal and classical and usually critiques music based on technicality, so for anime I have to really force myself to stop that and look more at how catchy it is, and how well it fits the mood of the show. With these criteria in mind, Shiki's first opening is great. The second opening is by no means bad, but it was a marked downgrade from the first, so I could have done without it. As far as the music goes, it was rather forgettable. I literally cannot remember a single piece from any episode, and I only watched it less than a week ago. That said, though, I do remember it fitting the mood of what was going on, and it certainly didn't detract from any situations. With this in mind, I would call it serviceable, yet forgettable.

The other main aspect of the audio is of course the voice acting. Now, I need to be up front with my preferences: I prefer dubs. I speak English, and I would prefer to listen to a show in a language that I understand. I am also not someone who will talk about how much 'better' the Japanese voice acting is--even for a bad dub--because I don't speak Japanese, so I am really in no position to make that judgment. That said, dubs have improved so much over the past decade that they are now a very viable option for anyone, and this one is no different. Funimation did the dubbing, so expect to play the 'where have I heard them before game'. While this can be somewhat distracting, the quality of the performances definitely over-rides any weirdness caused by the remembered vestiges of the actors' previous roles. I really only have complaints with two characters. For one, Megumi is incredibly annoying. To be fair, though, her voice is very much in line with her archetype, so I can't really expect her to sound any differently. I also wasn't hugely fond of the performance that Natsuno's VA gave. It was by no means bad, but some of the delivery just felt slightly awkward or 'off'. This is very subjective, though, and much of his performance was very good; I just wanted to mention it.


BEGIN SPOILERS


Plot:

Alright, it is now time to dive into the plot and characters. This is where the spoilers are going to start. I repeat: spoilers are now fair game, please turn back if you've yet to complete this series. Well then, you've been properly warned, so off we go! Shiki is a vampire anime. A strange family moves into a big castle/mansion up on a hill in a very rural community. This is a community full of farmers and everyone knows each other and is in the middle of their business. Just after these new--and very eccentric people--move in, people start dying. It starts very slowly, and it then progresses to a ridiculous amount of deaths. Most scenes in Shiki start with a date, so you can see how the situation is progressing over time. That is the general over-view of the story.

The first half or so of the series has a very mysterious feel to it. You are trying to figure out what is going on right along with the characters. The causes of death for the rising body count are mostly similar--being largely based around anemia, due to lack of blood--and the town doctor and his staff are convinced that it is some kind of epidemic. This thinking persists until about 75% through the show, when the towns folk finally open their eyes to what has been really going on. During this first half of the show, they do a good job of building suspense and not fully letting you in on what is going on. It is therefore very exciting when you start fully seeing the Shiki--or vampires--and start learning about what they really are and how they're doing what they're doing.

Now, as I said, the death count steadily increases as the situation progresses. This results in the majority of the named characters that you get to know being killed by Shiki by the end of the series. This is just something that you have to deal with if you're going to watch Shiki; it is not a happy or fun series, and it pulls no punches. This is immediately apparent, as in just the first two episodes Megumi, who you initially think is going to be the main character, dies. As things progress, you quickly learn that absolutely no one is safe. This leads to a very high amount of tension as no character really has the 'plot armor' that we have come to expect main cast members to have.

The immediate worry, then, is that all of the interesting characters will go away too soon, right? Well, that's not a problem. You see, when you are killed by a Shiki, you have a chance of coming back to life as one of them. This means that when they kill off a named character, they will just be able to bring them back as Shiki and keep them in the story in this new capacity. This is a huge perk to the kind of story that they are telling. It gives them the ability to kill any character that they wish, but still have them in the story.

After about the halfway mark, Shiki makes a marked shift from trying to figure out the mystery of what is going on to just learning more about the situation and watching it progress. The death count increases, more characters die, and you see that everything is falling apart in this little town. It is at this point that the levity becomes very scarce, and the tone begins to darken. This is when the morose and somber atmosphere starts setting in more and more because the damage that is being done simply cannot be undone. The entire town starts feeling like a lost cause. interestingly, this is equally true for before and after the villagers start fighting back. Why is that you might ask? Well, I think it's time to start talking about character development!

Characters:

The character development in Shiki is where it really shines. The general story is really interesting, but let's be honest: it has been done before. In fact, the overall story--and even some of the vampire 'rules', like not entering a building unless invited--is almost completely aped from Salems Lot. This isn't such a bad thing, necessarily, but it does mean that this series would not be as good as it is without something else going for it. Shiki shows a descent into our baser animal instinct and into insanity in many ways. For example, The doctor grows progressively more and more unstable as the 'disease' spreads--and even worse once he realizes what is going on and has no way to stop it or convince people. We get to see the characters grow more and more desperate to survive and protect those that they love.

There are only a few 'human' characters that get very deep development on their own. The two that are the most important to the plot are definitely the doctor and his friend, the town monk. Watching how they both change so much--and start down very contradictory paths due to the situation with the Shiki--is incredibly engaging. Although they both 'survive' through the ending, there is absolutely no happy resolution for either of them, and this is pretty much standard for Shiki.

Aside from the monk and the doctor it is largely the Shiki that end up being the stars of the show. When they rise up from the grave, they are still the same person. But they are now that person with new abilities, a deathly aversion to sunlight, and the physical need to drink human blood to survive. You get to watch them struggle with the reality of their new existence. You also get to watch these people--who were mostly good people before--become accustomed and desensitized to killing their former friends, family and neighbors. Now, sure, there is always a chance that anyone they kill may rise back up and join them, but that is an enormous gamble. It's not as simple as them merely becoming complacent murderers, though. Shiki really hammers it home that they are still people, and they are simply trying to survive. This becomes incredibly relevant at the end of the series when what's left of the town starts hunting down the enormous amount of Shiki that now reside there. You begin to genuinely feel sorry for them as they are brutally executed. What makes it worse, is that this is done by their former family and friends.

Right about the time you start feeling sorry for 'most' of the Shiki, is about the time that you start wondering who are actually the monsters. Shiki is very deliberate in showing just how far over the edge the remaining villagers have gone. Most of them have no problem at all brutally killing the Shiki. They even start killing each other when they get bit during the fighting as a 'precaution'--even though the doctor explains that this is not necessary. They run around covered in blood like absolute lunatics. There are several very deliberate scenes to show how complacent the humans have become with killing, too. One in particular is of the women folk covered in blood and taking a break from stacking and moving the mutilated Shiki corpses. They sit down, drink some tea, and start chatting and laughing like nothing is happening at all. The message here is really that regardless of 'what' you are, the right situation can turn anyone into a complacent killer. Another way of looking at it is to say that when the chips are down and the situation is dire, the id is ultimately the core of who we are, not the super ego.


END SPOILERS


Conclusion:

There are many more characters and situations that deserve mention, but this review is certainly long enough as it is, so I think it's time to wrap it up. Let me just sum it up very simply for you: Shiki is absolutely fantastic. It is an engaging and deep story that you will walk away from thinking about the deeper implications of what you have just viewed. It is a show that can be analyzed on a character by character basis and is perfect fodder for discussion. It is, however, also a very sad and mature series. The series progresses by bad things happening to one side or the other--Shiki or humans--and is full of death. There are also several scenes that are intentionally set up to be incredibly sad. And they don't feel cheap or forced, so the effect is fully realized--you will experience many feels. You will not walk away from this in a happy mood. Some of the best stories aren't afraid to leave the viewer feeling less than happy, though, and I think the complete disregard for pandering to the stereotypical 'happy' tropes in narratives that we are all so familiar with gives these kinds of stories an enormous amount of integrity and merit. Shiki has thoroughly reminded me why it is that I enjoy anime in the first place and just how deep of a story this medium can tell. I whole-heartedly recommend it.